1887 –1941
Severyanin Igor Vasilyevich
The futurist poet, who served in the Novocherkassk regiment in 1916
Igor is associated with the following objects
Barracks of the Novocherkassk Regiment
1886

One of the most peculiar representatives of the Russian Silver Age, who was convinced from his own experience that the army is not a place for a poet.

Igor-Severyanin (that's how, hyphenated, he wrote his pseudonym himself) joined the 145th Infantry Novocherkassk regiment of Emperor Alexander III  in the spring of 1916. In the regimental  lists, a private of the 6th company was noted under his real name - Igor Vasilyevich Lotarev (1887-1941). At that time, he was already a fairly well-known poet, the author of several collections of poetry. Moreover, Igor Severyanin has not only become the founder of egofuturism, but also managed to dissociate himself from this literary trend that developed within the framework of futurism.

In the barracks of the regiment on Malaya Okhta (at the beginning of Novocherkassky Avenue), the poet met the aspiring writer Leonid Ilyich Borisov, who was ten years younger (1897-1972). They served together for less than two weeks. They lived on the second floor of wooden bunks, next door. We had intimate conversations at night. They read their poems to each other in a half-whisper.

Of course, the army life with the regulations and drill did not arouse special sympathy from the Northerner. He was a purely civilian man. Soon after the draft of the future "king of poets", according to the conclusion of the medical commission, he was released from military service "for pure reasons". Apparently, thanks to the powerful protection (that is, the gang), and not for health reasons.

Leonid Borisov wrote about the short-lived military "career" of Severyanin in his memoirs ("At the round table of the past. Memories"). In them, in particular, there is such an episode. Once, at a shooting practice with a small-caliber rifle, Private Lotarev hit the target with three out of five bullets. The battalion commander praised him: "Well done, soldier!" In response, the poet, slightly turning towards the commander, casually threw: "Mercy, Mr. Lieutenant Colonel!" From such insolence of the battalion, of course, almost had a stroke. He froze, then burst into a choice curse and ordered to name the "private with a horse's head" in a new way: Mercy. In fact, Igor Lotarev, Severyanin, had to respond to the French "name". However, the poet had very little time left before the "demob".

Once in civilian life, Severyanin definitely did not miss the army:
On rotten Okhta, in the barracks of stone,
Where it is daily sad, and at night, even cry,
I, oppressed by dreams like a stone,
Ordered my heart: be silent, don't cry.
Revenge on the poet’s persecutors for everything:
For sour cabbage soup and a faceted bayonet.
To all the wild and terrible millions of detractors,
For the torments to which the poet is not used.
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1878 –1939
Petrov-Vodkin Kuzma Sergeyevich
An outstanding artist who spent part of his early childhood in Malaya Okhta.
Kuzma is associated with the following objects
Barracks of the Novocherkassk Regiment
1886
A remarkable Russian painter, art theorist, teacher, and writer, whose first childhood acquaintance with St. Petersburg occurred thanks to his father's service in the Novocherkassk Regiment.
Kuzma Sergeyevich Petrov-Vodkin (1878–1939) was a vibrant, original artist whose biography and creative destiny are closely connected with St. Petersburg – Petrograd – Leningrad. It all began in Malaya Okhta, where little Kuzma arrived in the early 1880s. The 145th Infantry Novocherkassk Regiment, where his father served, was stationed here. His father was a shoemaker from Khvalynsk, Saratov Province.

The future painter and his mother, Anna Panteleevna, settled in the mezzanine of an old, rickety wooden house owned by the widow Zadedina. This house was located on Pustaya Street, which, as Petrov-Vodkin recalled many years later, was not much different from the streets of his native provincial town: "Scattered houses alternated with vacant lots. In summer, the street was overgrown with grass, with pigs and piglets roaming in the thickets. In autumn, pedestrian walkways laid along the street saved us from the impassable mud." Pustaya Street was one block long. To the west, it "ran down to the Neva," and to the east, it "ended at a long street with only fences and vacant lots," which led to the Novocherkassk barracks.

Pustaya Street, running from Malookhtinsky Avenue to Novocherkassky Avenue, was officially abolished on May 15, 1965. It was located south of the current Pomyalevsky Street, which from 1865 to 1962 was called Suvorovskaya.

Petrov-Vodkin spent two years of his "first St. Petersburg period" in Malaya Okhta. In a small room with one window and an iron stove, where his mother worked on a Singer sewing machine and his father brought pots of cabbage soup and porridge from the barracks, Kuzma learned to read and write. The events of these two years, vividly remembered, were later described by the artist in two chapters of his autobiographical story "Khlynovsk": "Okhta – Pustaya Street" and "Barracks." This story, published in 1930, is a true treasure trove of valuable biographical information and evidence of the author's undeniable literary talent.

The boy, whom the soldiers called Kuzyakha, sometimes spent entire days in the barracks. He knew his father's comrades well and was considered one of their own by the Novocherkassk soldiers. However, contrary to popular belief, he could not have visited the surviving red-brick barracks, as the buildings for the regiment's headquarters and three battalions were constructed in 1884–1886, and for the fourth battalion in 1893. Sergei Fyodorovich Vodkin, apparently, served in the Novocherkassk Regiment from 1881 to 1884 and could have only witnessed the beginning of the construction of these barracks. Kuzma and his mother returned to Khvalynsk before the head of the family.

Subsequently, Petrov-Vodkin returned to the city on the Neva many times. He studied, worked, and taught here. The creator of such famous paintings as "Bathing of a Red Horse" (1912), "1918 in Petrograd" ("Petrograd Madonna"; 1920), and "Death of a Commissar" (1928) also died here, in Leningrad, and was buried at the Literary Footpaths of the Volkovo Orthodox Cemetery.
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1962 –1990
Tsoi Viktor Robertovich
A popular rock musician, artist, actor, and poet.
Viktor is associated with the following objects
Library and Art Residence SHKAF
1984
In the early 1980s, when the band "Kino" had not yet gained popularity, its leader and vocalist lived "somewhere on Bluchera Street" and traveled home every day on the legendary trolleybus "that goes to the East."
Viktor Robertovich Tsoi was born on June 21, 1962, to a Korean engineer and a Russian teacher. The future famous Leningrad rock musician spent his childhood years in the Moskovsky district, where he moved between several addresses that are well known to fans. A cult place for fans of Viktor Tsoi's work is the famous boiler room "Kamchatka," where many stars of the Leningrad rock club worked. In 1982, Viktor Tsoi founded the band "Kino." The first recordings of the young band were made in Andrey Tropillo's semi-legal studio, located in the House of Pioneers at 23 Panfilova Street, where the Center for Children's (Youth) Technical Creativity "Okhta" is now located. Tropillo was then the head of the recording circle open there; during the day, he taught schoolchildren the basics of working with microphones and recording devices, and at night, he recorded young performers. In 1983, Viktor and his wife Marianna lived, according to friends' recollections, "somewhere in a small apartment on Bluchera Street." No one remembered the exact address, but Marianna described this period of their lives as follows: "January of '83, I remember it well, was excessively harsh. Our house was so stupidly located that the only way to get to it was by trolleybus. There was a trolleybus ring near the house - the third, nineteenth, and another one. And these trolleybuses really didn't like running in twenty-degree frosts; if they did run, it was very slowly. We were freezing terribly. We were sick of those trolleybuses." This trolleybus ring was and still is located opposite school No. 180 on Marshala Tukhachevskogo Street. Before arriving at the final stop, the trolleybuses passed a long straight section on April Street, where they picked up speed. It can be assumed that the forced nature of the trips and the cold winter inspired the musician to write the song "The Trolleybus Going East." After gaining popularity, Tsoi performed a lot, acted in movies, and mainly lived in Moscow, but he did not forget his childhood city, regularly returning and renting an apartment on Toreza Avenue. On August 15, 1990, Viktor Tsoi tragically died in a car accident. The musician was buried at the Bogoslovskoe Cemetery in Piskaryovka, where many flowers, photos, and memorabilia are still brought today.
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1800 –1879
Kern Anna Petrovna
The muse of Alexander Pushkin and the granddaughter of the owners of the estate known to the people of St. Petersburg as Utkin Dacha.
Anna is associated with the following objects
Utkina dacha
1790
She entered Russian literary history as the addressee of the remarkable Pushkin poem "To *" ("I remember a wonderful moment..."). However, few people know that Anna Petrovna Kern was the granddaughter of the Poltoratskys, the owners of the estate at the confluence of the Okkervill River and the Neva.
Anna Petrovna Kern (1800–1879) is primarily known as the woman who inspired Alexander Sergeyevich Pushkin to compose the lyrical poem "To ***" ("I remember a wonderful moment..."). Pushkin also dedicated several humorous poems to her. Additionally, their correspondence has survived. However, Anna Petrovna’s identity is not solely defined by her role as Pushkin’s muse. Among the many remarkable people in Alexander Sergeyevich's circle, she did not fade into obscurity, nor was she just a name on Pushkin’s list of conquests. Her significance goes beyond the famous poem that immortalized her name. Beneath the familiar label of a fashionable beauty lies a figure of considerably greater stature.

Interestingly, we have only a vague idea of Anna Kern’s appearance. There are very few portraits of her, and almost all are speculative. More telling are the diaries and memoirs of Anna Petrovna. These are detailed, accurate, and vivid, offering a clear picture of her character and providing valuable insights into her distinguished contemporaries: Pushkin, Anton Antonovich Delvig, Mikhail Ivanovich Glinka, and Alexander I.

Anna Petrovna’s fate was significantly influenced by her extremely unfortunate marriage to Yermolai Fyodorovich Kern (1765–1841), a hero of the Patriotic War of 1812. They were married in January 1817, when Anna was still not yet seventeen, and the general-major (later general-lieutenant) was over fifty. As Anna Petrovna later wrote, she was married "too early and too indiscriminately." Her dislike for her husband seemingly extended to her attitude toward their children (the couple had three daughters: Yekaterina, Anna, and Olga). The life of a general's wife, with constant relocations from one city to another and the atmosphere of inspections and drills, was burdensome for the impressionable and energetic Anna. Moreover, the old soldier Kern was probably far removed from the interests and aspirations of his young wife.

In the winter of 1825–1826, pregnant with her third daughter, Anna Petrovna left Yermolai Fyodorovich and moved to St. Petersburg. By making this bold move, she effectively buried her reputation as a "respectable woman." Aristocrats might overlook infidelities and even affairs, but an open separation from a spouse caused a scandal and nearly closed the doors of society to the charming Anna Petrovna. She was supported by friends, including almost the entire Pushkin family. In the Delvig household, she "felt at home," and Anton Antonovich jokingly referred to her as wife number two. Anna attended literary evenings where guests included Ivan Andreyevich Krylov, Vasily Andreyevich Zhukovsky, Nikolai Ivanovich Gnedich, Pyotr Andreyevich Vyazemsky, Dmitry Vladimirovich Venevitinov, and Adam Mickiewicz. Interestingly, one of Anna Kern’s friends was engineer Pyotr Petrovich (Pierre-Dominique) Bazin, who worked on the reconstruction of the hydraulic structures at the Ohtinsky Powder Factory in the 1820s and 1830s. According to Anna Petrovna’s recollections, it was Bazin who introduced her to Mikhail Glinka in 1826. Later, around the 1830s–1840s, the composer was in love with Anna Kern’s elder daughter, Yekaterina, and dedicated the romance "I Remember a Wonderful Moment" to her, based on Pushkin’s verses. However, Mikhail Ivanovich and Yekaterina Yermolaevna never married.

Despite numerous disappointments, Anna Petrovna did find personal happiness. In 1836, she began a romance with 16-year-old cadet Alexander Vasilyevich Markov-Vinogradsky (1820–1879), her second cousin. In 1839, the couple had a son named Alexander. Yermolai Kern died in 1841, and in 1842, Anna and Alexander married. For the sake of her legal marriage, Anna Petrovna relinquished her title of "Excellency," a substantial pension, and other privileges that were due to her as the widow of a general. Additionally, Anna’s father, Pyotr Markovich Poltoratsky, deprived her of all inheritance rights.

Anna Petrovna’s maiden name again connects us to Ohta. She was the granddaughter of Mark Fyodorovich and Agafoklea Alexandrovna Poltoratsky, who owned the estate at the confluence of the Okkervill River and the Neva. This estate is known to Petersburgers as Utkin Dacha. Remarkably, another of Pushkin’s muses, Anna Alexeyevna Olenina, was also a granddaughter of these Poltoratskys! In other words, Anna Petrovna and Anna Alexeyevna were cousins. Incidentally, Anna Kern met Pushkin in 1819 at the home of Alexey Nikolaevich and Elizaveta Markovna Olenin.

It is well known that Anna Petrovna was a well-read individual. She avidly followed literary news, and, for instance, her diary contains a very complimentary (if brief) review of Nikolai Gerasimovich Pomyalovsky’s novella "Molotov," which was first published in the journal "Sovremennik" in 1861. Pomyalovsky, as we remember, was a native of Malaya Okhta.

The unusual union of Anna and Alexander Markov-Vinogradsky withstood the test of time, social disapproval, family opposition, chronic poverty (they even had to sell Pushkin’s letters – for five rubles each), and domestic instability. They lived together for four decades, maintaining an incredibly warm relationship and deep affection for each other. Alexander Vasilyevich passed away in January 1879. In May of the same year, Anna Petrovna died. Only the inclement weather and poor road conditions prevented them from being buried in the same cemetery.
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1800 –1855
Kushelov-Bezborodko Alexander Grigorievich
One of the owners of the Kusselov-Bezborodko estate, the heir of Alexander Andreevich Bezborodko
Alexander is associated with the following objects
Kushelyov-Bezborodko Estate
1773
Alexander Grigorievich Kushelov-Bezborodko was the eldest son of Count Grigory Kushelov and Lyubov Ilyinichna, née Countess Bezborodko.
Alexander Grigorievich Kushelov-Bezborodko spent most of his childhood in Polyustrovo, at the suburban estate of Princess Bezborodko, inherited by his aunt, Princess K. I. Lobanova-Rostovskaya. From his guardian, the young Kushelov-Bezborodko inherited a love for order and good management.

From 1813 to 1816, he studied at the Tsarskoye Selo Lyceum. After passing the examination for obtaining a position at the pedagogical institute, he went to Moscow, where he earned a doctorate in ethical and political sciences from Moscow University. In 1817, with the rank of Collegiate Assessor, Count Kushelov-Bezborodko joined the Ministry of Foreign Affairs.

Through his father's patronage, Alexander Grigorievich was assigned to deliver dispatches to Württemberg and then to serve at the emperor’s chancery during the Congress of Aachen. This opportunity allowed him not only to visit another country but also to continue his education abroad.

During his European travels, Alexander Grigorievich met many prominent figures, including the renowned Italian educator Pestalozzi. This encounter proved to be pivotal for the young count. Upon his return to Russia in 1819, he actively engaged in reforming the national educational system.

In 1820, Kushelov-Bezborodko was appointed chamberlain, and in 1826, he became a member of the Main Board of Schools. His career quickly advanced, and by 1854, he had reached his highest position as the State Controller of the Russian Empire.

Alexander Grigorievich died from "severe nervous distress" on April 6 (18), 1855. He was buried in the Holy Spirit Church of the Alexander Nevsky Lavra.
To the next personality
1747 –1799
Bezborodko Alexander Andreevich
Chancellor of the Russian Empire, under whom the Kousheliev-Bezborodko estate acquired its modern appearance.
Alexander is associated with the following objects
Kushelyov-Bezborodko Estate
1773
A statesman, a Ukrainian noble of Cossack officer origin, count, and later a prince of the blood. From 1781, after the retirement of Nikita Panin, he took on the de facto leadership of Russian foreign policy. He was the Chief Director of the Post Office of the Russian Empire.
Alexander Andreyevich Bezborodko was born on March 14, 1747, to Andrei Yakovlevich Bezborodko, the General Secretary of the Registered Cossack Army, and Evdokiya Mikhailovna Zabela, daughter of a general judge. The future Privy Councillor and confidant of Catherine II studied at the Kiev-Mogilyan Academy. During his studies, he demonstrated an aptitude for history and a phenomenal memory, which later helped him achieve a remarkable career at court.

Bezborodko arrived in Moscow in 1775 with the rank of colonel, earned for his successful military service during the Russo-Turkish War (1768–1774). He was offered the position of State Secretary to Empress Catherine II. In the recommendation provided to Bezborodko by Count Rumyantsev-Zadunaysky, under whom Alexander Andreyevich had served for over 10 years, it was written: "I present to Your Majesty a diamond in the rough: Your mind will give it value."

Indeed, at the imperial court, Bezborodko quickly mastered political intricacies and the French language. He did not neglect his passion for history; his works include several historical texts: "A Picture of the Russian Wars and Affairs with the Tatars," "Chronicle of Little Russia," and "Chronological Table of the Most Remarkable Events of the Reign of Catherine II."

Bezborodko's career advanced rapidly: in 1779 he was promoted to brigadier and granted lands in the Polotsk Province, in 1780 he was appointed "full powers for all negotiations" in the Collegium of Foreign Affairs and given the rank of major general, and in 1783 he became a member of the Russian Academy of Sciences. In 1784, Alexander Andreyevich was made second member of the Collegium of Foreign Affairs and granted the rank of Privy Councillor, as well as permission to take the title of count from the Emperor of the Holy Roman Empire.

By 1791, Bezborodko had been awarded three orders: the Order of St. Vladimir 1st class (1782), the Order of St. Alexander Nevsky (1784), and the Order of St. Andrew the First-Called (1791), conferred personally by the Empress.

A passionate patron of the arts, in 1796 Bezborodko acquired one of the richest art collections—the gallery of Count Golovkin.

Two years before his death, on the day of Emperor Paul I's coronation, Bezborodko was elevated to the rank of prince with the title of His Serene Highness.

Alexander Andreyevich Bezborodko died on April 6 (17), 1799. He was buried in the Chapel of the Annunciation at the Alexander Nevsky Lavra (now the Annunciation Mausoleum).
To the next personality
1737 –1822
Poltoratskaya Agafokleia Alexandrovna
Owner of the estate at the confluence of the Okkervil River and the Neva at the turn of the 18th and 19th centuries
Agafokleia is associated with the following objects
Utkina dacha
1790
“Feklusha, put down your dolls and get married”—with these words, the story of the union between Mark Poltoratsky, the regent of the Court Singing Chapel, and 15-year-old Agafoklea Shishkova began. She would become the owner of the Okkervil estate, a mother of many children, and one of the first businesswomen in the Russian Empire.
Agafoklea Alexandrovna Shishkova was born on June 29 (July 10) 1737, into a family of modest Tver landowners. Mark Fyodorovich Poltoratsky, who had long been acquainted with the Shishkov family, proposed to their young and, notably, very beautiful daughter. At the time, no one could have anticipated the treasure that the court singer had acquired in the form of Feklusha.

Agafoklea turned out to be a true iron lady of her time. As contemporaries noted, she had the knack for making money from virtually everything—within a few years of marriage, she turned a modest dowry into a fortune: an estate with 4,000 serfs, distilleries, and factories. Thanks to her business acumen and unyielding character, Poltoratskaya "leased out" nearly the entire Tver province. Despite her relentless work, she deeply loved her husband and was pregnant by him. The Poltoratskys had 22 children, though only 11 reached adulthood. All of them received excellent education and found their place in life.

When in 1791 the Poltoratskys acquired the estate at the confluence of the Ohta and Okkervil rivers, Agafoklea set about developing the new estate. It is believed that the estate was granted to Mark Fyodorovich for his achievements in managing the singing chapel. However, L. V. Timofeev, referring to a purchase agreement dated May 4, 1791, indicates that it was Agafoklea who bought the land from Privy Councilor Gavriil Gerasimovich Donaurev, including the villages of Oblupovskaya, Malinovskaya, Kosaya Gora, and Novaya. Meanwhile, Mark Fyodorovich had his own land plot in the area of Sennaya Square, where two stone houses were built. Following the instructions of his beloved Feklusha, public baths were added to these houses. At the Okkervil estate, Poltoratskaya began the construction of a manor house and utility buildings while simultaneously maintaining and developing the family estate of Gruziny and the numerous villages she owned in the Petersburg and Tver provinces.

Just a year before acquiring the Okkervil estate, Agafoklea Alexandrovna completed the construction of the Peter and Paul Cathedral in the village of Zagorie (now Pereslegino). The construction lasted 10 years, with the renowned architect Nikolai Alexandrovich Lvov being responsible for the project. This fact suggests that upon completion of the work in Zagorie, Poltoratskaya commissioned Lvov to design the estate at Okkervil.

Under Agafoklea Alexandrovna Poltoratskaya's management, the Okkervil estate transformed into a vast and wealthy estate supplying St. Petersburg with fruits, wine, and artisanal goods.

In her later years, Agafoklea resided at the Gruziny estate. She was forced to leave St. Petersburg due to an accident on the way to Moscow. Her carriage overturned, and she sustained numerous fractures, leaving her almost immobilized. Even then, she continued to oversee her affairs, instructing her bed to be moved to the hayfield, the arable land, the distillery, or the mill as needed.

Agafoklea Alexandrovna passed away on October 12 (24), 1822, at the age of 85, having outlived her husband by 30 years.
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1865 –1926 
Trofimov Vasily Mikhailovich
A ballistic scientist and artillery systems designer, buried at the Porokhovskoye Cemetery
Vasily is associated with the following objects
Porokhovskoye cemetery and the monument to the Porokhodols
1820
Vasily Mikhailovich Trofimov possessed profound erudition in the fields of physical-mathematical, technical, and military sciences, and had extensive experience in artillery service.
He combined the qualities of an exceptionally gifted thinker, capable of the broadest generalizations, and a talented experimenter, who could brilliantly organize and conduct the most challenging tests on the range, with those of a pragmatic artilleryman, always keeping in mind the immediate application of his research in combat conditions.
    
If you add to this his ability to identify talented colleagues, to recognize and cultivate their strongest qualities and skills, as well as his skill in creating large teams for collaborative scientific work and inspiring them with his enthusiasm and extraordinary diligence, it becomes clear why Vasily Mikhailovich Trofimov is considered one of the greatest Russian artillerymen of the early 20th century.
To the next personality
1817 –1889
Kokorev Vasily Aleksandrovich
Businessman and public figure, buried at the Malookhtinsky Old Believers cemetery
Vasily is associated with the following objects
Malookhtinsky Old Believers' Cemetery
1762
One of the most versatile Russian businessmen of the 19th century, whose entrepreneurial activities extended to trade, water and rail transport, banking and insurance, and oil refining. However, Kokorev's interests were not limited to business. He wrote on economic policy issues in the press, engaged in philanthropy, supported creative individuals, and collected works of art.
Vasily Alexandrovich Kokorev (1817-1889) is a person as bright and original as he is contradictory. The future millionaire (or even billionaire) was born, according to various sources, in Vologda or in Soligalich, a district town in the north of the then Kostroma province. Vasily Alexandrovich's social origin also raises questions. Whether he was a native of the bourgeoisie or the son of a middle-class merchant who traded in salt, is not known. But all his biographers are unanimous in one thing: the Kokorevs' family was Old Believers and belonged to the Pomorian Bespovsky consensus. Vasily Alexandrovich kept the faith of his fathers until the end of his days.

Kokorev, in fact, did not receive a systematic education. Having learned to read and count, he, apparently, immediately began to work. True, it is not quite clear in what field young Vasily made his first professional steps. He either began to help his father, who was a “siteltsem” (manager) in drinking houses, or began to work in the family enterprise. The Kokorevs, according to some researchers, owned a small saltworks in Soligalich. (This town owes its name and, perhaps, its origin to the salt works). Be that as it may, the early beginning of labor activity brought certain dividends to energetic and clever Vasily. He acquired not abstract “invaluable life experience”, but concrete knowledge and skills necessary for a businessman. Vasily Kokorev filled the gaps in his education on his own, because he read a lot and enthusiastically.

Alexander Kokorev probably died early, and Vasily at a very young age became a co-owner (along with his uncles) of the above-mentioned salt factory. This enterprise, alas, turned out to be unprofitable and in the late 1830s was closed. However, Vasily Alexandrovich tried to re-profile the family business, which was already breathing on a languor, by organizing a water resort at the local mineral springs. In 1841, thanks to Kokorev's efforts, a water treatment center was opened in Soligalich. It is curious that in 1858 Alexander Porfirievich Borodin, a doctor of medicine, nowadays known primarily as a composer, came there. He produced chemical analyzed customs water and highly evaluated their target properties. (Results of research solihalich soleno-mineral water was publicized in 1859. According to available information, a large article was published in the newspaper “Moscow Vedomosti”, the introductory part of which was written by Vasily Kokorev and the main part by Alexander Borodin. The latter was soon published as a separate brochure). On the recommendation of the future author of the “Knyaz Igor” is expanded. Today the name A. P. Borodin nasit sanatorium, located in the park zone in the center Soligalich.

After the closure of the factory owned by the Kokorevs, Vasily Alexandrovich, as he himself wrote later, “was forced out of the district life to St. Petersburg to seek for a paid-off occupation”. In the early 1840s, he became a solicitor to a wine merchant and was very successful in the alcoholic field. Kokorev must not have considered this kind of activity sinful for an Old Believer and did not suffer from remorse. Lev Yakovlevich Lurie in his book “Petersburgers. Russian capitalism. The first attempt“, the first chapter of which (”Oligarchs“) begins with a story about Vasily Kokorev (”Billionaire from Soligalich"), explains this paradox very simply: ”For Kokorev drinking people - not a special sin. Drunkenness is a personal vice. Payoffs bring money to the treasury, but one should strive for decent manners. And stealing is sinful. Judging by the research of biographers, first Kokorev was the attorney of one merchant in Orenburg province, then another - in Kazan. In 1844, having gained a lot of experience in this business, he submitted to the Committee of Ministers or directly to the manager of the Ministry (in the near future - the Minister) of Finance Fyodor Pavlovich Vronchenko a note on the transformation of wine purchases. There is information that it was passed through the then Kazan military governor Sergei Pavlovich Shipov, who was a native of Soligalich district and, therefore, a fellow countryman of Kokorev. (Incidentally, Vronchenko and Shipov are intricately connected with Okhta. The name “Count Vronchenko” was given to a wheeled steamer assembled at the Okhta Admiralty in 1850. In 1828 Shipov married Anna Evgrafovna Komarovskaya, daughter of the same Count Komarovsky who owned a cloth factory on the Okhta promontory. Thanks to Evgraf Fedotovich, the name “Komarovsky” appeared on Malaya Okhta. Now it is given to the bridge that connects the banks of the Okhta River and is part of Krasnogvardeyskaya Square. In the past, there was Komarovsky Avenue, which grew out of the alley of the same name).

As researchers note, in this note Vasily Alexandrovich said that the wine trade should be given a more civilized character, and expressed his rationalization proposals in this regard. Revenues from the sale of alcohol at that time amounted to about 45% (almost half!) of all revenues to the treasury (such figures with reference to experts cited by Kokorev biographers), and their increase was a matter of national importance. However, even in such circumstances, the note could have gotten lost, dissolved in the flow of incoming documentation, go unheeded, laid under the table. However, Vronchenko familiarized himself with its contents, and therefore it cannot be ruled out that Shipov really put in a good word for the ambitious fellow countryman. As a result, Kokorev got an opportunity to realize his ideas in Orel (or in the whole Orel province), where the wine payoff was defective (there was a huge debt on it - 300 thousand rubles in silver). The experiment was successful (the debt was paid off in two and a half years) and was repeated for several other faulty buy-backs. Under Kokorev's management they became profitable. However, it was very expensive for the local people. More and more drinking establishments were opened in the buyout territories, the prices for alcohol were ungodly increased, and the quality of “drinks” (already not the most exquisite) decreased, becoming the subject of numerous jokes. The most disgusting liquor was called “Kokorev's Tear” by evil tongues. In the middle of the XIX century the expression “Kokorev vodka” became common, and later even got on the pages of fiction. And Vasily Alexandrovich himself was immortalized in poems and prose. For example, Nikolai Alexeyevich Nekrasov, satirically depicting Moscow in the poem “Petersburg Message” (this is the second part of “Friendly Correspondence between Moscow and Petersburg”), writes that there, among other things, “Kokorev's mind found a shelter”. (In the second half of the 1850s, Vasily Kokorev's articles began to be published in the journal Russky Vestnik, which had just been founded in Moscow). Nikolai Semyonovich Leskov mentions Kokorev in the story “The Life of a Woman”, and Kokorev's vodka in his novel “Nowhere”. Russian writers brought Kokorev out under fictitious names, sometimes openly offensive. However, there were among our writers and those who spoke positively about him. And what a controversy Kokorev's figure caused in the press!

While the people left the last money in the drinking establishments, and the treasury was faithfully replenished, Kokorev's authority in the Ministry of Finance is rapidly growing. Of course, Vronchenko did not approve all of Vasily Alexandrovich's proposals, but the payoff system of alcohol trade was still reformed: in the second half of the 1840s in Russia introduced excise and payoff commission “for the sale of state wine and other beverages. In 1851, Kokorev, who had managed to acquire many connections in government circles, received the title of commercial counselor. Payoff activity served as a kind of springboard for him to storm new heights. Vasily Alexandrovich won the trust of officials, gained the respect of profiteers and other entrepreneurs, gained a huge capital. Becoming a very rich and influential man, Kokorev unfolded the full breadth of his ebullient nature, gave free rein to his energy, imagination, creative initiative. In the second half of the 1850s, he began to explore other spheres of business, impressing with the scope and diversity of his enterprises.

In 1856, with Kokorev's assistance, the Russian Society of Shipping and Trade (ROSST) was established to strengthen the position of our sailors on the Black and Azov Seas. (Russia had been defeated in the Crimean War of 1853-1856, and its interests in the region were compromised. Under the terms of the Paris Peace Treaty, signed in March 1856, the Black Sea was declared neutral. Russia, as well as Turkey, was deprived of the right to have its military fleet there. Both countries were also forbidden to build and maintain their naval bases on the Black Sea coast. In fact, this meant the destruction of the Russian Black Sea Fleet, while Turkey, in case of a new war, had the opportunity to introduce its warships into the Black Sea from the Marmara and Mediterranean Seas. Therefore, the development of merchant shipping was not the only purpose of establishing the Russian Society of Shipping and Trade. It was tacitly assumed that if necessary, ROPiT merchant ships would be used for military tasks). In 1857 Vasily Alexandrovich became a co-founder of the Trans-Caspian Trading Partnership (as far as we know, it was organized for trade with Persia and Central Asia), in 1858 - the Volga-Don Railway Society, in 1859 - the Volga-Caspian Shipping Company “Caucasus and Mercury” and the society “Rural Host”. The domestic oil industry owes a lot to Kokorev. There are data that back in 1857 in Surakhany, relatively close to Baku, he built a plant for processing of kir. This oil-containing rock was used to produce photonaphthyl (photogen), a mineral oil used for lighting. The enterprise operated on cheap local fuel - natural gas, whose burning outlets on the surface are called Baku fires. (Since ancient times, these fires have been an object of veneration for Zoroastrians. Their destroyed sanctuary on the outskirts of Surakhany village was restored, apparently, by Hindus and Sikhs. The Ateshgah fire temple has been preserved here to this day, where representatives of ethno-confessional groups professing Zoroastrianism sometimes come. These are Gebras from Iran and Parsis from India). In 1863 Vasily Kokorev invited Dmitry Ivanovich Mendeleev to his oil refinery on the Apsheron peninsula as a consultant. Thanks to the valuable recommendations of the scientist, who in a few years was to discover the periodic law, the production of kerosene was reorganized and began to bring income. A decade later, in January 1874, Alexander II approved the charter of the Baku Oil Company, one of the founders of which was Kokorev. In the same year, well aware of the importance of transportation infrastructure for the development of industry and the country's economy as a whole, Vasily Alexandrovich became a co-founder of the Ural Railway Company.

At the beginning of the 1860s, the payoff system of liquor sales was abolished (it was replaced by the excise system). This dealt a serious blow to Kokorev's well-being. Paradoxically, but the fact is that Vasily Alexandrovich, having gotten rich on wine payoffs, remained indebted to the state. And was its debtor almost to the end of his days. Researchers explain this by the fact that earned money Kokorev immediately invested in various enterprises, and often took great risks, counting on future profits and the fact that it will be possible to attract the capital of old business partners. Treasury debts forced him to part with the so-called Kokorevsky podvorye, built in 1862-1865 on Sofiyskaya Embankment in Moscow. This multifunctional complex, which included a hotel, stores and commercial warehouses, cost Vasily Alexandrovich two and a half million rubles and was a truly grandiose construction for that time.

But Kokorev would not be Kokorev if failures knocked him out of the saddle. Incredibly enterprising, determined and confident in his abilities, he never gave up, was not afraid to try and make mistakes. In the post-reform years Vasily Alexandrovich turned to several new business spheres, first of all to banking. He took an active part in the creation of the Moscow Merchant Bank, the charter of which was approved by the highest in June 1866. In addition, there is information that Kokorev was elected Chairman of the Board of the Volga-Kama Commercial Bank, founded in St. Petersburg in 1870. A little later Kokorev joined the insurance business. In 1872, he initiated the establishment of the Northern Society of Insurance and Warehouse of Goods with Warrants (in 1879, it was forced to stop warrant operations, after which it became known as the Northern Insurance Society). Another brainchild of Kokorev is the Northern Telegraph Agency, established in 1882. According to available data, Vasily Alexandrovich was the main shareholder (shareholder) of this agency.

The story about Kokorev would be incomplete without mentioning his public activities. Perhaps, especially brightly our hero showed himself in this field after the Crimean (Eastern) War. In February 1856, he organized in Moscow pompous meeting of participants in the defense of Sevastopol, which caused in society contradictory feelings and a very lively discussion. Not everyone liked the celebration of heroes, which was furnished with a merchant's scale and balanced on the edge of bad taste (the festivities, for example, were accompanied by copious libations). During the period of preparation of the peasant reform Kokorev, who held liberal views, acted as a convinced supporter of the abolition of serfdom. In support of the forthcoming reforms, he organized a series of banquets-manifestations, which provoked the anger of the then Governor-General of Moscow Arseny Andreevich Zakrevsky. As a result, Vasily Alexandrovich signed a pledge not to hold “public political meetings or dinners with speeches on state issues”. Some of Kokorev's biographers write that he was even subjected to tacit surveillance.

Kokorev was close to the Moscow Slavophiles and participated in the financing of their periodicals: the journals “Russkaya Obeseda” and “Rural Improvement”, as well as the newspaper “Day”. Vasily Alexandrovich attached great importance to freedom of speech and, possessing an undoubted talent for writing, an inquisitive, perceptive mind, keen observation and profound knowledge of life, never missed an opportunity to speak out on the most topical issues in the press. Among his publicistic works the most famous are the article “A Billion in the Fog” devoted to the liberation of peasants, which was published in the newspaper “St. Petersburg Vedomosti” in 1859, and a number of retrospective articles, originally published in the journal “Russian Archive”, and then combined into a book with the telling title “Economic Failures” (and the subtitle “According to Memoirs from 1837”), which was published in 1887.

Vasily Kokorev was famous for his charitable activities. In particular, he helped the Slavic Committee, allocating significant sums for the implementation of its projects, participated in the work of the temporary commission for the collection and distribution of voluntary donations in favor of victims of the 1867 crop failure, and did a lot for the Pomor community of St. Petersburg.

Despite his extraordinary employment, Kokorev found time for what today would be called a hobby. He was no stranger to beauty, was interested in art and in the 1850s began to collect paintings by Russian and foreign artists. In the early 1860s Vasily Alexandrovich opened a public art gallery in Moscow. There were approximately 500 paintings, including brushes by I. K. Aivazovsky, K. P. Bryullov, O. A. Kiprensky, D. G. Levitsky and other prominent painters. The gallery existed for only about ten years: in the 1870s Kokorev was forced to sell off his remarkable collection due to financial difficulties. Vasily Alexandrovich patronized architects, encouraging their work in the “Russian style”. At his expense, for example, in Moscow was built a marvelous Pogodinskaya hut. In 1884, Kokorev organized in the Tver province Vladimir-Mariinsky orphanage for young artists. Poor students of the Imperial Academy of Arts came there for summer practice, thanks to which the orphanage became known as the Academic Dacha. Today it bears the name of I.E. Repin. Kokorev's services to the Academy of Arts were appreciated at face value: in 1889 the patron of the arts was awarded the title of its honorary member.

Kokorev died in the spring of 1889. His final resting place was the Maloohtinsky Old Believer cemetery in St. Petersburg. It was controlled by the Pomorians, representatives of the very same non-Pope consensus to which Vasily Alexandrovich belonged. Kokorev's death was a colossal loss for the capital's Pomor community, for he had repeatedly stood up for his brothers in faith before the authorities. The funeral, held according to the old rite, became a notable event in the life of our city. It is noteworthy that the family burial place of the Kokorevs has survived. It is located in the eastern corner of the Maloohtinsky cemetery.
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1845 –1894
Alexander III
The Peacemaker Tsar, Chief of the Novocherkassk Regiment.
Alexander III is associated with the following objects
Barracks of the Novocherkassk Regiment
1886
Alexander III is remembered in history as the Peacemaker Tsar: during his reign, Russia did not participate in any major military-political conflicts.
Russian Emperor Alexander III was born on March 10, 1845 (February 26 according to the old style) in St. Petersburg. He was the second son of Emperor Alexander II and Empress Maria Alexandrovna. He received a traditional military-engineering education typical for grand dukes.

In 1865, after the death of his older brother, Grand Duke Nicholas, he became the heir apparent and then acquired more profound knowledge. Among his tutors were Sergey Solovyov (history), Yakov Grot (literary history), and Mikhail Dragomirov (military art). The greatest influence on the heir apparent was exerted by his law professor Konstantin Pobedonostsev.
Before ascending the throne, Alexander Alexandrovich served as the commanding hetman of all Cossack troops, was the commander of the Petersburg Military District and the Guard Corps.
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1777 –1825
Alexander I
Emperor and Autocrat of All Russia.
Alexander I is associated with the following objects
Alexander Gate
1806
Grand Duke of Finland (since 1809), King of Poland (since 1815), the eldest son of Paul I and Maria Fedorovna. In pre-revolutionary official historiography, he was referred to as the Blessed.
The beginning of Alexander I's reign was marked by liberal reforms, many of which were developed and proposed by the Secret Committee and personally by Mikhail Mikhailovich Speransky. In foreign policy, the young sovereign proved to be a talented diplomat, skillfully maneuvering between the rival empires of Great Britain and France. Between 1805 and 1807, Alexander participated in anti-French coalitions, and from 1807 to 1812, he grew closer to France.

The emperor's military campaigns were equally successful: Russia acquired territories and strengthened its positions in relations with Turkey, Persia, and Sweden. The Russian Empire absorbed the lands of Eastern Georgia, Bessarabia, and Finland.

From 1813, Alexander I became the head of the anti-French coalition, and later one of the chairmen of the Congress of Vienna (1814–1815) and the creators of the Holy Alliance.

Alexander I's personality is undoubtedly significant for Russia. His entire life is shrouded in mysteries and various speculations, such as the supposed rise to the throne through patricide and his intentions to atone for this sin. In the last years of his reign, Alexander I indeed spoke of his desire to abdicate the throne and withdraw from worldly affairs. When news of the emperor's death from typhoid fever in Taganrog came in 1825, many did not believe it, suspecting that a double had been buried in his place. According to rumors, Alexander himself had gone to the Urals, where he lived for many years in the guise of a venerable elder named Fyodor Kuzmich.
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1799  –1837
Pushkin Alexander Sergeyevich
The greatest poet who had a great influence on the development of Russian and world culture
Alexander is associated with the following objects
Sculpture “Okhtenka”
2003
Zhernovka Manor
1796
The greatest poet, who had a significant impact on the development of Russian and world culture. He is the author of "The Bronze Horseman," "The Queen of Spades," "The Belkin Tales," and many other world-famous works. Between 1817 and 1820, he repeatedly traveled to Priyutino, the Olenin estate, through the territory of the modern Krasnogvardeysky district. He likely visited or might have seen, while passing by, the Powder Works and the Zhernovka estate. In his verse novel "Eugene Onegin," he celebrated the milkmaid of Okhta.
He was born on May 26 (June 6), 1799, in Moscow, in the German Quarter. He died on January 29 (February 10), 1837, in St. Petersburg. His father, Sergey Lvovich Pushkin, came from an ancient noble family and was an amateur poet and a well-known wit in society. His mother, Nadezhda Osipovna, née Hannibal, was from the Hannibal family, the "Moor of Peter the Great."

He studied at the Tsarskoye Selo Lyceum, a privileged educational institution for children of noble descent, who were expected to become state officials and high-ranking bureaucrats upon graduation.
Pushkin began writing poetry while still at the Lyceum; during his entrance examination, he read his poems to the elderly Derzhavin, moving him to tears.

Upon graduating from the Lyceum in 1817, Alexander Sergeyevich Pushkin joined the Ministry of Foreign Affairs as a Collegiate Secretary. The bureaucratic job bored the young poet. During this time, he frequently visited the theater and became a member of the literary society "Arzamas" and the theatrical-literary community "The Green Lamp." He wrote "free-thinking" poems, for which he was exiled by Alexander I to the Caucasus, and in 1824 was granted permission to move to his own estate, Mikhailovskoye. In 1825, Pushkin's first collection of poems was published.

In 1831, he married the charming Moscow beauty Natalya Nikolaevna Goncharova. The young couple settled in St. Petersburg. The Pushkins led a high-society life, attending balls and salons. Pushkin's fame grew, but his financial situation increasingly suffered due to the extravagant lifestyle beyond their means.

Due to high-society intrigues and rumors about his wife’s affair with Georges d'Anthès (a French national in Russian military service), a duel took place on January 27 (February 8), 1837, on the Black River, where d'Anthès wounded Pushkin. As a result of the injury, the poet died two days later in his apartment on the Moika River, surrounded by family and doctors.
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1948
Budnikov Alexander Grigorievich
He was actively involved in the revival of the Church of St. Elijah the Prophet at the Powder Works.
Alexander is associated with the following objects
Church of St. Elijah the Prophet
1781
Alexander Grigoryevich Budnikov was born on July 28, 1948, into a working-class family in Leningrad, living in a communal apartment on Telezhnaia Street.
After finishing school in 1964, the future Father Alexander worked for three years and then entered the Leningrad Theological Seminary under the administration of Metropolitan Nikodim (Rotov) of Leningrad Diocese.
In February 1972, Metropolitan Nikodim ordained Reader Alexander as a deacon. On November 4, 1974, the Feast of the Kazan Icon of the Mother of God, Father Alexander was ordained a priest. He then graduated from the Leningrad Theological Academy.
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1871 –1939
Apyshkov Vladimir Petrovich
Architect of the Bolsheokhtinsky Bridge and the Finland Railway Bridge
Vladimir is associated with the following objects
Bolsheokhtinsky Bridge (Emperor Peter the Great Bridge)
1911
Vladimir Petrovich Apyshkov (1871–1939) – an architect and one of the designers of the Bolsheokhtinsky Bridge (Emperor Peter the Great Bridge) and the Finland Railway Bridge across the Neva River. He was also one of the few theorists of Art Nouveau architecture in Russia.
A defender of innovative trends, Vladimir Petrovich Apyshkov significantly influenced the development of architectural thought in the Soviet era with his monograph "Rationalism in Modern Architecture" (1905). Before 1917, there were other writers on architecture, but none could substantiate their theories with such convincing constructions. However, Apyshkov quickly distanced himself from the Art Nouveau style and did not engage in Constructivism, remaining a proponent of classicism until the end of his life. This is evident in the original additions to the ensemble of the Arkhangelskoye estate near Moscow, including the sanatorium buildings of the 1930s.
Among his forward-looking endeavors, aside from the bridge towers, one should also mention the first Chaev mansion on Rentgen Street, 9, known for its bold diagonal layout. The subsequent house for the same client (on Malaya Nevka Embankment, 16) was built in a Neo-Greek style. Classicism is also evident in Apyshkov's designs for the War Department buildings on Parade Street.
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1951
Reppo Vladimir Alexandrovich
Architect and co-author of the commemorative monument "Fortress of Nienshants"
Vladimir is associated with the following objects
Memorial sign “Nienschanz Fortress”
2000
Vladimir Alexandrovich Reppo was the head and later the general director of an architectural workshop. During the time the workshop was established, many architects combined work in state design organizations with private design projects. V. A. Reppo's Creative Architectural Workshop (TAM) was no exception. Major design projects were undertaken within the walls of Leningrad Institute of Urban Planning (LeniNIIproject), while the personal workshop focused on designing small private houses, apartment interiors, cafés, and renovations for shops, trade pavilions, and garages.
The workshop also participated in competitions and developed conceptual designs that later formed the basis for projects at LeniNIIproject. The workshop had a small team of permanent employees. For each new project, teams of designers, architects, and engineers were assembled.

Some of the most significant projects designed at LeniNIIproject and in Vladimir Reppo's personal creative workshop include the underground vestibule of the "Primorskaya" metro station, the fire station on Dekabristov Street, the memorial to the cruiser "Kirov" on the Marine Embankment of Vasilievsky Island, and the memorial to the "Fortress Nienshants" near the Bolshoi Okhtinsky Bridge. Other notable projects include residential developments around Lake Dolgoe, such as blocks No. 28 and 34-a, and No. 19 and 20 north of Novoselov Street; a residential building at the "Zvezdnaya" metro station (LenSoveta Street, 88); buildings near the "Prospekt Bolshevikov" metro station; structures on Klochkov Lane, 6; buildings on Enthusiasts Avenue, 20–22; a residential building with a music school in block No. 39–40 north of the Mureinsky Stream; and a complex of retail pavilions near the "Ladozhskaya" and "Zvezdnaya" metro stations.
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1781 –1842
Beretti Vikentiy Ivanovich
The presumed architect of the Church of St. Nicholas the Wonderworker at the Boloheokhtinsky Cemetery
Vikentiy is associated with the following objects
Bolsheokhtinsky Cemetery and the Church of St. Nicholas the Wonderworker
1773
An Italian-born architect who spent his entire life in Russian service and made significant contributions to St. Petersburg and Kyiv.
Vikentiy Ivanovich (Saveliy-Yosif-Antoniy) Beretti was born in Italy in 1781. He was the son of Giovanni Beretti, a professor of mechanics who moved to Russia in the 1780s. In 1798, Vikentiy entered the Imperial Academy of Arts in St. Petersburg, where he studied in the architectural class under the prominent architect Andrey Dmitriyevich Zakharov. He graduated from the Academy in 1804. He assisted Jean-François Thomas de Thomon with the construction of the Exchange Building at the Vasilievsky Island Spit. In 1809, for his design of the Land Cadet Corps, Vikentiy Beretti was awarded the title of Academician of Architecture. Some researchers believe that he was the architect of the Church of St. Nicholas the Wonderworker, built at the Bольшеохтинское Cemetery between 1812 and 1814. From 1825, Vikentiy Ivanovich headed the Committee of City Buildings. There is evidence that Beretti was a member of the committee overseeing the construction of St. Isaac’s Cathedral (Vikentiy Ivanovich himself even developed its competition project). In 1831, he became a professor of architecture at the Academy of Arts.

In the 1830s, Beretti participated in a competition for the best design of the Kyiv University of St. Vladimir. His work received the highest praise. Vikentiy Ivanovich was appointed the chief architect of the university, and in 1837 he was relieved of his duties as professor at the Academy of Arts and transferred to Kyiv. His subsequent activities were associated with this city. His son, Alexander Vikentievich, who also became an architect, assisted him.

Vikentiy Ivanovich passed away in 1842 and was buried at Baikove Cemetery in Kyiv.
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1880 –1968
Gromov Alexander Evstafievich
Sculptor-modeler who, together with architect Dushechkina, developed the design of the Triumph Pillars.
Alexander is associated with the following objects
Triumphal pylons (“Pylons on the Powderyards”)
1952
Alexander Evstafyevich Gromov was a sculptor-modeler, master of artistic sculpting, artist-restorer, and woodcarver. Over more than fifty years of professional activity, he completed a large number of important architectural and decorative works. He worked under the guidance and on projects by prominent architects such as I. A. Fomin, A. I. Tamanyan, V. F. Svinyin, E. I. Katonin, E. A. Levinson, and I. I. Fomin.
Born in 1880 into the family of a poor peasant from Tver Province, Alexander Evstafyevich Gromov was one of 13 children. The family sent their children, who had completed primary school, to Petersburg or Moscow to learn a trade or become apprentices. From a young age, Gromov showed a talent for drawing. In the spring of 1893, he was brought to Petersburg and apprenticed for five years in the workshop of Vasily Ivanovich Zhilkin, a modeler.

From 1918 to 1922, he served in the Red Army. In 1924, he entered the molding workshop of the Academy of Fine Arts.
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1942
Beider Boris Khaimovich
Architect of the building housing the "Buff" Theater and the "Krasnogvardeysky" Cultural and Leisure Center
Boris is associated with the following objects
Theater “Buff”
1870
Krasnogvardeysky Cultural Center
2010
Boris Khaimovich Beyder, head of a personal creative architectural studio (since 1991); member of the Union of Architects of Russia (since 1973); member of the Union of Artists of Russia (since 1986).
Born on October 19, 1942. In 1971, he graduated from the Faculty of Architecture at the I. E. Repin Institute of Painting, Sculpture, and Architecture. After graduating from the institute, he worked as the chief architect of Surgut, then as an architect at the Leningrad Research Institute of Experimental and Project Design (LenZNIIP). From 1976 to 1991, he worked as an architect at the Art Fund of the Union of Artists.
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1929 –2007
Levenkov Alexander Danilovich
Architect, author of the memorial plaque "Regulator"
Alexander is associated with the following objects
“Regulator” commemorative sign
1985
Alexander Danilovich Levenkov (1929–2007) graduated from the Faculty of Architecture of the Academy of Arts in 1958 and worked as an architect at "Lenproject" for thirty years. He designed about thirty monuments along the Green Belt of Glory. Among them are the memorials "Baltic Wings," "Flower of Life," "Katyusha," and "Old Section of the Road of Life." Alexander Danilovich was involved in the reconstruction of the brotherly military burial site in Rumbolovo and other monuments.
Architect Alexander Danilovich Levenkov was deeply concerned about the fate of his works and, along with sculptor Yevgeny Vasilyevich Chinyakov, regularly visited the monuments he created along the Road of Life to check their condition. The last time Levenkov visited the "Flower of Life" was in April 2007. Two years after his death, in July 2009, a memorial plaque was installed at the "Flower of Life" monument, next to a birch tree that he had once planted himself, in his memory.
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Blockade temple
Local residents began to call the Church of the Assumption of the Blessed Virgin Mary in Maloohtinsky Park, located on the territory of the former Maloohtinsky Orthodox Cemetery, the Siege Church. During the hard blockade years here they buried those who died of hunger and cold. In fact, the Blockade Church is the only religious monument in St. Petersburg to the victims of the blockade.
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Bolsheokhtinsky Cemetery and the Church of St. Nicholas the Wonderworker
Bolsheokhtinskoye Cemetery is one of the most famous cemeteries in St. Petersburg. It is the largest necropolis located within the city limits. The cemetery is located between Metallistov Avenue, Degtyarev Street, Energetikov Avenue, Bolshaya Porokhovskaya, Boksitogorskaya and Partizanskaya Streets. Its area is about 70 hectares. The history of Bolsheokhtinsky cemetery began in the XVIII century. Since then, several churches were built on its territory. Only one - St. Nicholas the Wonderworker - has survived to this day.
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Malookhtinsky Old Believers' Cemetery
Although this small cemetery is one of the oldest in St. Petersburg and is located not somewhere on the outskirts, but within a 10-15 minute walk from Novocherkasskaya metro station, not all citizens are aware of its existence. However, in recent years Maloohtinskoye has acquired a peculiar reputation and has become a place of pilgrimage for occultists, esotericists and other lovers of mysticism. However, the real history of this cemetery is probably more fascinating than all the myths and legends it is laden with.
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Porokhovskoye cemetery and the monument to the Porokhodols
Porokhovskoye cemetery is not a particularly famous or prestigious cemetery. There are not many burials of famous people in it. And it lies away from the main excursion routes of St. Petersburg and its environs. But it is one of the few “professional” cemeteries in our city. Artillerymen and gunpowder makers were buried there, including those who died in explosions at the Okhta gunpowder factory. In addition, the cemetery is located in a hilly area, which makes it very picturesque. In general, it is worth taking a day off to visit it.
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Church of St. Elijah the Prophet
St. Elijah's Church is actually a temple complex that includes two churches built at different times and having different dedication. These are the church-rotunda of the Holy Prophet Elijah (1781-1785) and the church of the Holy Prince Alexander Nevsky with a bell tower (1805-1806). The history of the Church of St. Elijah the Prophet is closely connected with the history of the Okhta Gunpowder Factory, founded by Peter the Great in 1715. The first wooden chapel in the workers' settlement appeared in 1717, it was consecrated in honor of Elijah the Prophet, the patron saint of all professions connected with fire. However, the temple complex, which we see today, was finally formed only in the late 1870s, during the last major reconstruction under the direction of architect N. V. Lissopatsky.
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Bolsheokhtinsky Bridge (Emperor Peter the Great Bridge)
The Bolsheokhtinsky Bridge, opened as the Emperor Peter the Great Bridge, connects the central part of St. Petersburg and Okhta, with which the prehistory of our great city is connected. The bridge spans the Neva River, from Sinopskaya Embankment to Maloochtinskaya Embankment. It is about 335-339 meters long and up to 26.5 meters wide.
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Alexander Nevsky Bridge
The main symbol of the modern Krasnogvardeysky District is the Bolsheokhtinsky Bridge. This statement can be disputed only by the residents of the Central District, who have no right to consider this bridge a symbol of their administrative-territorial unit. After all, let us not forget that it was erected on the initiative of the city, and not Okhta, which in the early XX century such an enterprise was completely beyond the power of the city. One way or another, but the emblem of the Krasnogvardeysky District Administration today depicts an unmistakable recognizable silhouette of the Bolsheokhtinsky Bridge drawbridge span. It also adorns the emblem of our Central Library.

The Alexander Nevsky Bridge, located upstream, does not claim to be the district symbol. It is not spoiled by attention at all. It is not included in the lists of city sights, obligatory to visit. There are no crowds of tourists wandering over it, clicking cameras and bombarding guides with questions. Wedding photo shoots are not organized on this bridge, newlyweds in beautiful outfits do not hang their locks and then throw the keys from them into the Neva River.

Not having an impressive architectural appearance, the Alexander Nevsky Bridge is in the shadow of its older neighbor, which the public is used to admiring. Meanwhile, the history and design of this bridge, built in the 1960s, is quite interesting. And the appearance of this complex engineering structure, if you think about it, deserves high praise.
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Alexander Gate
The Alexander Gate, built in the 1800s, was the pride of the Okhta Gunpowder Factory. It welcomed the most important persons, and the bell in its turret announced the beginning and end of the working day at the plant. Recognized as a monument of regional significance, this gate is one of the main architectural decorations of the Powder Plant.
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Barracks of the Novocherkassk Regiment
The red brick barracks are a tangible reminder of the Novocherkassk Regiment, which was associated with Malaya Okhta for forty years and became a true friend of the Okhtians. These barracks survived the regiment for which they were built. They survived the collapse of two empires, non-core use, neglect and recognition as a monument of regional importance. Will they survive the upcoming revitalization?
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Komarovsky Bridge
It is highly probable that the ancestor of all the bridges of modern St. Petersburg was built here, near the mouth of the Okhta, and long before the foundation of our city. Perhaps the bridge over the Ohta was built back in 1300-1301, when the Swedish fortress Landskrona existed on the Okhta promontory, or in the XVI century, when the Russian (Russian-Izhora) trading settlement Nevskoe estuary (Nevsky Gorodok) was formed at the confluence of the Ohta into the Neva. And in the XVII century, when the Swedes took possession of the Prinevsky lands again, the bridge appeared here for sure. It was wooden and connected the fortress of Nyenshants with the town of Nien.

The present Komarovsky Bridge continues the Bolsheokhtinsky Bridge across a narrow strip of land (Okhtinsky cape), connecting the Small and Big Okhta. At first glance, it is purely utilitarian, practically devoid of decoration and aesthetically not too remarkable. When talking about this workman's bridge, the most common epithets used are “modest”, “discreet” and even “inconspicuous”.
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Merchant Ivanov's mansion
Behind a five-storey Art Nouveau house on the corner of Bolshaya Porokhovskaya Street and Sredneokhtinsky Prospekt there is a three-storey mansion with the initials “PI” and the year of construction - “1901”. This mansion is known as “The House with a Peacock” or “Pavlivanovka”. Like the neighboring profitable house, it belonged to the merchant Pavel Ivanovich Ivanov. The mansion is famous for its fireplaces, one of which is decorated with the figure of a peacock, as well as the grand staircase made of diabase.
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Zhernovka Manor
The estate flourished in the last third of the 18th century, when it became the property of the Georgian noble Donaurov family. Under their rule, large-scale construction was carried out here according to the project by Giacomo Quarenghi. For its time, Zhernovka was a typical summer pleasure estate; its complex included the main building, a pavilion, a pier, a large landscape park, outbuildings and gates.
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Utkina dacha
It's hard to believe, but not far from Ladozhskaya metro station, surrounded by modern glass and concrete buildings, you can see a rare monument of classicist architecture. Near the place where the Okkerville River flows into the Okhta River there is an old manor house known to St. Petersburg residents as Utkina Dacha. The manor house was built at the end of the XVIII century, the courtyard service building - in 1820-1830s. During its existence, the estate has changed many owners, but its name retains the surname of the latter - Utkins.
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Kushelyov-Bezborodko Estate
This is one of the oldest estates in St. Petersburg. The founder of the city on the Neva River himself used to visit here. Before St. Petersburg was founded, it was the estate of the commandant of Nyenshants. Peter I gave these lands to his medical officer, who discovered here springs of ferruginous mineral water, known to contemporaries as Polyustrovskie.

In the era of Catherine II, the vast estate of the all-powerful Chancellor Alexander Andreevich Bezborodko spread here. It was the time of the estate's heyday: a vast landscaped park with ponds was laid out at that time, and by the Neva River the estate complex ended with a pier for guests and a grotto leading to the house.
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Novocherkasskaya metro station
“Novocherkasskaya” is one of two stations of the St. Petersburg Metro located in the Krasnogvardeysky District. Its artistic design is dedicated to the Red Guard, and for almost seven years it was called “Krasnogvardeyskaya”. Since 1992, the station has been bearing its current name. At the end of 2020, it celebrated its 35th anniversary.
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Ladozhsky railway station complex
Ladozhsky is the most modern and the only transit railway station in St. Petersburg. It is designed as an intelligent building, which makes it one of the most advanced in Europe. The opening of the Ladozhsky station complex took place in the year of the 300th anniversary of our city.
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Kvadrat Youth House
The Youth House (aka Youth Center) “Kvadrat” is a convincing proof that a public institution can be popular. And popular with a very demanding public, which, in fact, is the youth. For its short history “Kvadrat” has managed to acquire the reputation of a fashionable place where you can spend your free time in an interesting and useful way. And among those who come here, it is increasingly possible to meet young people from other districts of our city.
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Maloohtinsky Park
For the residents of Krasnogvardeysky District, Maloohtinsky Park, located between the Neva and Okhta, is one of the favorite recreation places. It was opened in 1960, but the first garden on this territory was laid out in the late 19th century. In addition to the usual trees, shrubs and flower beds, Maloohtinsky Park boasts its own permanent exhibition of urban sculpture.
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Krasnogvardeysky Cultural Center
Having started its work in 2010, the Krasnogvardeysky Cultural and Leisure Center quickly gained popularity and became a point of attraction for the creative natures of our district. Today, thousands of people are engaged in the Center and its branches: preschoolers and schoolchildren, university and college students, middle-aged men and women, pensioners. They draw and sculpt, compose music and write poetry, put on plays and reconstruct historical costumes, dance and sing. Not a single festive event in the Krasnogvardeisky district can be held without the artists of the Krasnogvardeisky Cultural Center.
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Theater “Buff”
Located on the site of the former Okhta movie theater. Opened in 2010. The first building in Leningrad/St. Petersburg designed and built specifically for a theater in 40 years (the previous one was the building of the TYuZ). The Buffa project belongs to architect Boris Beider and is the result of a creative compromise between the original color scheme in intense red tones and the wishes of the theater's artistic director Isaac Shtokbant to “make everything a little more modest”.
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Polyustrovsky Park
There are no monuments of the distant past or century-old trees planted by Peter the Great. Polyustrovsky Park is young and attractive to people of different generations. This is a great place for those who want to hide from the bustle without leaving the city. Here the residents of not only Polyustrov and its surroundings, but also other districts of St. Petersburg spend their time with pleasure.
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Triumphal pylons (“Pylons on the Powderyards”)
To see an artistic depiction of Stalin in modern St. Petersburg, you will have to try hard. Such images, except for those kept in museums, can be counted on your fingers. Two of them are placed on the Triumphal pylons at the T-junction of Kommuna Street and Otechestvennaya Street. Here Joseph Vissarionovich is accompanied by his senior party comrade Vladimir Lenin.
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Monument to the Children of Beslan
In the garden of the Malokhtinsky Church of the Assumption of the Blessed Virgin Mary there are several memorials worthy of attention. But the strongest impression is made by the one that is installed almost right next to the church fence, just to the right of the gate. It does not allow anyone to pass by indifferently. As if an unknown force draws the eye to it, and the terrible pictures of the tragedy instantly come to mind. This monument is dedicated to the children who died as a result of the terrorist attack in Beslan in 2004.
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Monument to Peter the Great
It was here, where the Okhta flows into the Neva River, that shipwrights settled by the decree of Peter the Great and built the ships that made the glory of the Russian Navy. The monument to Peter the Great was erected in 1911 in the square of the later (in the 1930s) demolished Church of the Descent of the Holy Spirit.
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Monument to Konstantin Grot
The history of the monument to Konstantin Grot is inextricably linked with the history of the school for the blind, which he founded in 1881. Subsequently, this school grew into the famous Alexander-Maria School, located on Aptekarsky Island. Its successor - boarding school No. 1 for blind and visually impaired children - operates on Malaya Okhta, under the watchful eye of the bronze Grotto....
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Memorial sign “Nienschanz Fortress”
A memorial sign with six ancient cannons installed on the Okhta promontory refers to the pre-St. Petersburg period in the history of the Prinevsky lands. It shatters the myth that St. Petersburg emerged on deserted swamps. There were plenty of swamps here, but contrary to popular belief, there were also plenty of settlements. One of them was the Swedish town of Nien, which grew up at the fortress of Nyenshants in the 17th century.
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“Regulator” commemorative sign
Girls-regulators stood all along the Road of Life: on its land part and on the ice of Lake Ladoga. Day and night, in all weathers, under enemy fire, they showed the way to the vehicles. This memorial sign is dedicated to their immortal feat.
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Sculpture “Okhtenka”
In 2003, the monument “Okhtanka” was unveiled near the Neva Garden, not far from the intersection of Sredneokhtinsky Prospekt and Revolutionary Highway. The sculptors embodied in bronze the image of the Okhta resident, familiar from Pushkin's lines: “The Okhtanka is hurrying with a jug, / The morning snow is crunching under her”.
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Monument to Carl Faberge
The world has many monuments to spiritual teachers, political figures, military leaders, writers, and scientists. But a monument to a jeweler is a great rarity. It is all the more pleasant that the monument to one of the most famous representatives of this delicate profession is installed in Krasnogvardeysky district, not far from Ladozhskaya metro station. By the way, the place for the monument to Carl Faberge was not chosen by chance. A real jewelry cluster has existed near the modern intersection of Zanevsky Prospekt and Energetikov Prospekt for many years.
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Rzhev Artillery Range
The Rzhevsky training ground houses numerous remarkable monuments of Russia's military engineering history. On this vast territory, hidden from prying eyes by dense forests and high fences, buildings from the 19th century and unique artillery pieces from the 20th century still stand. Unfortunately, the training ground is gradually falling into disrepair.
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Ohtinsky Cape
Over its long history, Okhtinsky Cape has been the scene of Russian-Swedish confrontation, a major shipbuilding base, and the subject of heated debates between adherents of different views on the development of St. Petersburg. Some advocated preserving the Cape's archaeological monuments and turning it into a museum. Others supported the idea of erecting a miracle of modern architecture here. The miracle eventually grew in another part of the city, but the future of “St. Petersburg Troy” is still very vague. Especially since the owners of this land do not seem to have abandoned their plans for its development. So it turns out that the most peaceful time in the biography of Cape Okhta was when its northern part was, in fact, a large industrial zone.

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Peter the Great Hospital

The hospital, whose name commemorates the founder of St. Petersburg, is a unique medical institution. It is unlikely that any analogs can be found anywhere else in the world. The ceremony for laying the foundation of this hospital took place in 1910 in the presence of members of the imperial family.


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Ilyinskaya Sloboda
Ilyinskaya Sloboda is a settlement that emerged in the first third of the 18th century at the Okhta gunpowder factory founded by Peter the Great. The sloboda was located between the present-day Revolution highway, Kommuna street, Irinovsky avenue and Potapova street. The word “sloboda” comes from the word “freedom”: craftsmen who moved to work at the Gunpowder Factory were exempted from other taxes. And the name “Ilyinskaya” sloboda was given to the church of St. Elijah the Prophet, the patron saint of gunpowder masters.
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Library and Art Residence SHKAF

In 2021, a remarkable space officially opened in the Krasnogvardeysky District – the SHKAF Library and Art Residency. This new creative cluster, established on the site of the Piskaryovsky Library and Cultural Center, offers opportunities for creativity in several fields: literature, architecture, design, and performing arts. It provides a platform for both residents and visitors of the district, including professionals in art and science, to realize their creative ideas.







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"Rzhevskaya" Library
The "Rzhevskaya" Library is a high-tech cultural and informational center that opens new opportunities for literary enlightenment, local history exploration, and the development of scientific, educational, business, and creative initiatives. It is a space where the future becomes the present, and the past inspires and unites generations.
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Library "Porokhovskaya"
"Porokhovskaya" is a family-oriented library where reading brings together adults and children. However, it’s not just about books! The library offers a wide range of events suitable for all ages, including preschoolers and seniors. The program includes art exhibitions, street festivals, intellectual games for adults, and educational activities for children. At "Porokhovskaya," you can even attend a real puppet show!
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Library "Ohtinskaya"
Would you like to escape the gray routine and everyday concerns? Mentally transport yourself to the shores of the Mediterranean Sea? Remember the summer, the caress of the sun's rays, the gentle whisper of the waves, and the warm sand underfoot? Would you like to turn the pages of your favorite book in the relaxing atmosphere of a secluded beach? Then you simply must become a reader at the "Ohtinskaya" library!
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Malookhtinskaya Library
The "Malookhtinskaya" Library was established in May 1945 in honor of the victory in the Great Patriotic War. Throughout these years, the library's team has carefully preserved its history and views its special mission as maintaining historical memory. Today, it is a hub for residents of the Krasnogvardeysky district, a winner and laureate of many professional and city competitions. It also offers all the conditions for comfortable work, relaxation, and self-development: a wide range of informational and reference services, specially equipped computer workstations, and a rich schedule of free cultural and educational events.
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The "KUB" Library

"KUB" stands for Creative Universal Library. It is the first library in Novaya Okhta and the youngest (as of September 2019) in the Centralized Library System of the Krasnogvardeysky District. Moreover, it is a multifunctional cultural cluster that focuses not only on books and reading but also on education, art, technology, information exchange, leisure, and creativity. Additionally, "KUB" aims to become an important community center where local residents can come with their initiatives.







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Library Communication Center "Sovremennik"
The Library Communication Center "Sovremennik" is a vibrant public space filled with initiatives from local residents. By merging a children's and an adult library, "Sovremennik" has become a place where visitors of different ages and interests enjoy coming together. The Library Communication Center "Sovremennik" serves as both a "Neighborhood Hub" and a "home base" in the area, as well as a space for collaborative practices shaped by reading, communication, and modern technologies.
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1959
A closed competition was announced for the best design of a bridge across the Neva River that would connect the central part of Leningrad and Malaya Okhta.
1960-1965
In 1960, construction of the bridge began. On May 15, 1965 it was officially named Alexander Nevsky Bridge, on November 1 it was tested with heavy machinery, and on November 5 it was put into operation.
1966-1967
56 corroded cables burst in the bridge's structures and traffic was restricted.
1981
Leningrad bridge builders warned the city authorities about the urgent need to reconstruct the bridge.
1982
One of the bridge's multi-ton counterweights collapsed into the Neva River. Traffic on the bridge was closed, and a ferry service was established near the bridge.
1983
Traffic on the bridge resumed.
2000
In 2000 the reconstruction of the bridge began, during which, among other things, 12 kilometers of cables and waterproofing were replaced. There are reports that from December 10, 2000 to April 2001, while the draw span was being reconstructed, the bridge was closed to traffic. By the 300th anniversary of St. Petersburg, 500 lights and eight spotlights were installed on the bridge. It was turned on for the first time on October 17, 2002. In 2005, the hydraulic drive of the bridge was repaired.
2014
On March 14, a more powerful artistic illumination system started working on the bridge.
Alexander Nevsky Bridge
1959
A closed competition was announced for the best design of a bridge across the Neva River that would connect the central part of Leningrad and Malaya Okhta.
1960-1965
In 1960, construction of the bridge began. On May 15, 1965 it was officially named Alexander Nevsky Bridge, on November 1 it was tested with heavy machinery, and on November 5 it was put into operation.
1966-1967
56 corroded cables burst in the bridge's structures and traffic was restricted.
1981
Leningrad bridge builders warned the city authorities about the urgent need to reconstruct the bridge.
1982
One of the bridge's multi-ton counterweights collapsed into the Neva River. Traffic on the bridge was closed, and a ferry service was established near the bridge.
1983
Traffic on the bridge resumed.
2000
In 2000 the reconstruction of the bridge began, during which, among other things, 12 kilometers of cables and waterproofing were replaced. There are reports that from December 10, 2000 to April 2001, while the draw span was being reconstructed, the bridge was closed to traffic. By the 300th anniversary of St. Petersburg, 500 lights and eight spotlights were installed on the bridge. It was turned on for the first time on October 17, 2002. In 2005, the hydraulic drive of the bridge was repaired.
2014
On March 14, a more powerful artistic illumination system started working on the bridge.
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195027, St. Petersburg,
Sredneokhtinsky prospect, building 8

+7 (812) 224-33-00
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1965 · Cultural Monuments
Alexander Nevsky Bridge
1959
1960
1966
1981
1982
1983
2000
2014
Interesting Facts

A Notorious Spot on the Left Bank of the Neva

The area on the left bank of the Neva, where the approach structures of the Alexander Nevsky Bridge are now located, had a notorious reputation among the townsfolk in the early 20th century, as noted by Boris Ivanovich Antonov in his book Bridges of St. Petersburg. The area was poorly lit, and in the twilight, solitary passersby were often attacked by robbers who lived in the cemeteries of the Holy Trinity Alexander Nevsky Monastery. However, perhaps an even greater danger—for both pedestrians and horse-drawn carriages—was posed by the rats that infested the grain warehouses along the shore. Every day, hordes of these rodents would first head to the Neva for a drink of water and then return to the warehouses. To particularly impressionable witnesses, it seemed as if the very ground was moving. During these eerie promenades, traffic in the area came to a halt, with cars and trams stopping at a respectful distance from the rat hordes. A chilling story was passed down about how, one day (allegedly in the 1920s), an unfortunate cab driver tried to dash through the stream of rats, and by morning, only two gnawed skeletons were found: one human, the other equine.

The construction of the Alexander Nevsky Bridge (which took place from 1960 to 1965) led to significant redevelopment of this riverside area. The old warehouses, storage facilities, and some residential buildings were demolished. This transformation greatly altered the appearance of Alexander Nevsky Square and its surroundings. Subsequently, new structures were added: on November 3, 1967, a metro station opened, and in the 1970s, its ground-level pavilion was integrated into the building of the Hotel Moscow. Meanwhile, on Sinopskaya Embankment, an automated long-distance telephone exchange station was commissioned, and the architectural ensemble of the monastery was freed from the obstructing warehouses along the Neva. Today, only five warehouses on the northern bank of the Obvodny Canal remain, their ends facing the canal. Built for the monastery in the 1840s, they are recognized as a monument of regional significance.

The bread-related history of this corner of our city is also remembered through Ambar Street, which runs from Alexander Nevsky Square to Kherson Street. The street’s name, which had disappeared for almost half a century (as it was merged into Sinopskaya Embankment on January 26, 1970), was resurrected by a resolution of the Government of St. Petersburg on January 31, 2017.

The embankment now known as Sinopskaya was once a major center of the bread trade. It was home to the famous Kalashnikovskaya Pier, where grain and flour from various regions of Russia were brought. The pier was named after the Kalashnikov family, who were grain merchants. In 1871, the name of this pier was transferred to a nearby avenue, which in 1918 was renamed Bakunin Avenue. Interestingly, the aforementioned embankment was also called Kalashnikovskaya from 1887 to 1952, named after the Kalashnikov Brewery and Mead Factory. Not far from this location was the Kalashnikov Grain Exchange, which opened in 1895.

A Test of Strength

The Alexander Nevsky Bridge was built using the latest (at the time) technical solutions, which required particularly thorough testing of its behavior under load. Shortly before it was opened for traffic, engineers subjected the bridge to a rigorous test with the help of the military. On November 1, 1965, heavy tanks drove onto the bridge's roadway. They moved from one span to another, stopping at specific points designated by the testers. Instruments recorded all deflections of the bridge, measuring the stresses that arose in its structures. The bridge passed this test with flying colors, and traffic was opened on November 5.

Interestingly, on October 30, the same tanks tested the new Tuchkov Bridge, which was opened on November 6.







History of the Location

1959

A closed competition was announced for the best design of a bridge across the Neva River that would connect the central part of Leningrad and Malaya Okhta.

1960-1965

In 1960, construction of the bridge began. On May 15, 1965 it was officially named Alexander Nevsky Bridge, on November 1 it was tested with heavy machinery, and on November 5 it was put into operation.

1966-1967

56 corroded cables burst in the bridge's structures and traffic was restricted.

Full history
About the Cultural Monument

Alexander Nevsky Bridge

The idea of building a bridge across the Neva River near the Holy Trinity Alexander Nevsky Monastery emerged long before it was realized. This can be easily confirmed by documents. The first General Development Plan of Leningrad, developed (and revised) in the 1930s, already included the construction of this bridge. The bridge was also present in the 1939 General Plan of the city, developed by the Architectural and Planning Department (APO) of the Leningrad City Council. The bridge route is even marked on the 1940 Leningrad map. The bridge was supposed to connect the city center with Malaya Okhta, where Soviet construction began in the 1930s, starting with the riverside area. (Here, the famous Block No. 26 emerged, about which you can learn more by referring to the article about the "Malo-Ohtinskaya" library.) Notably, the trapezoidal square (Cheluskintsev/Papanintsev) created here was designed as a pre-bridge area. The bridge might have been built earlier, but the implementation of urban planning was interrupted by the Great Patriotic War, which began in 1941.

Judging by the General Plans of Leningrad from 1941 and 1948, as well as the General Development Plan for the city from 1956-1965, which was developed in 1955, the idea of building a bridge to Malaya Okhta was not abandoned. However, serious work on its implementation began only in the late 1950s. In previous years, as noted by Mikhail Samoylovich Bunin in his book "Bridges of Leningrad. Essays on the History and Architecture of the Bridges of St. Petersburg – Petrograd – Leningrad," the design of such structures was usually entrusted to a single organization. This time, they did things differently. In 1959, the Leningrad City Executive Committee announced a closed competition, as Bunin describes it, "for solving an urban planning task of special importance, namely the design of a bridge across the Neva River in the area of Alexander Nevsky Square."

The most well-known bridge design organizations from Leningrad and Moscow were invited to participate in this competition. Nine projects were submitted, one of which was non-competitive. In the end, the jury concluded that none of them was worthy of first prize. The second prize, according to the unanimous opinion of the jury members, was awarded to the first version of the project developed by the institute "Lengiprotransmost." (The successor of this institute is the joint-stock company "Transmost." According to the official website of the company, it was called "Lentransmostproekt" from 1937 and was renamed "Lengiprotransmost" only in 1962.) This institution was entrusted with subsequent stages of design; its engineers developed the design assignment and working drawings, according to which construction was later carried out.

It should be understood that the Alexander Nevsky Bridge is the collective work of a large group of designers. The bridge itself, that is, its structure, was designed by engineers K. P. Klochkoff, G. M. Stepanov, and A. S. Evdonin, who led this process. The architectural solution was developed by architects A. V. Zhuk, S. G. Mayofis, and Y. I. Sinitsa. The design of the approaches to the bridge and the two-level traffic interchanges was apparently handled by a group of engineers from the "Lengiproinzhproekt" institute, including Y. P. Boyko, A. D. Gutsait, G. S. Osokina, and E. K. Sprogis. Additionally, in connection with the construction of the Alexander Nevsky Bridge, new reinforced concrete bridges were built over the Monastyrka River: the Obukhov Defense Bridge and the Monastery Bridge. These were commissioned in 1964.

The seven-span bridge, originally named "Staro-Nevsky" (so-called after the section of Nevsky Prospect from Vosstaniya Square to Alexander Nevsky Square), was extended across the main river of our city along Zanevsky Prospect (hence another name for the bridge during the design phase – "Zanevsky"). It is noteworthy that unlike the name of the future bridge, its route had been definitively determined from the very beginning, that is, from the 1930s. However, the highway on the right bank of the Neva, now known as Zanevsky Prospect, was only outlined then and was referred to in the project documentation as 1st Proriska until December 26, 1940.

The bridge's layout is symmetrical relative to the central, movable span. The movable span is double-leafed with a fixed axis of rotation. It is distinguished by the greater thickness of its piers, which house the mechanisms for raising the span, control panels for the mechanisms and navigation signals, as well as other operational devices. The raising of the bridge is carried out using a hydraulic drive and takes only two to three minutes.

The wings of the central span are made of steel. The spans on either side of it, including those over the embankments, are covered with pre-stressed reinforced concrete structures, where the reinforcement consists of steel cables – tendons. These structures form two long span constructions. The basis of each is made up of two three-span continuous beams of variable height, with the space between them covered by a system of transverse and longitudinal beams. The main beams of the bridge are hollow, box-shaped. They are equipped with hatches through which maintenance personnel can enter to inspect their condition or tighten the tendons. The diameter of these high-quality steel cables is 70 millimeters. Mikhail Bunin describes such a cable as a bundle of wires where the central bunch is twisted in one direction, and the peripheral part in the opposite direction. The tension of the cables running through the bridge's structures is monitored by special devices that take into account the air temperature. In cold weather, the tension is loosened, and in hot weather, it is tightened using special winches/jacks. This is similar to how a musician tightens the strings on their instrument, tuning it. Communication, lighting, and signaling cables also run inside the structures.

The main beams of the bridge were assembled from individual blocks, manufactured onshore. At the same time, the arches were segmented not along the axes of the piers, but in the center. Thus, V-shaped elements – half-arches with a support platform at the lower belt – were prepared for assembly. Due to their long protrusions, these enormous blocks resembled giant birds with outstretched wings, which is why the builders called them "birds." The weight of these reinforced concrete "birds" reached nearly five thousand tons!

The assembly of the main beams was carried out on the water; the blocks were delivered to the intermediate piers on special pontoons – in the same way, reinforced concrete arched trusses of the first Volodarsky Bridge were transported along the Neva in the 1930s. At that time, the work was carried out under the guidance of the outstanding shipbuilder and mathematician A. N. Krylov, who also designed the pontoons. In our case, the transportation and installation of the blocks were overseen by the young engineer Y. R. Kozhukhovsky.

The operation of placing the first "bird" in its proper position, which began on July 12, 1964, is wonderfully described by Andrey Lvovich Punin in his book "The Tale of the Bridges of Leningrad." Under the "bird," which had frozen at the very edge of the pier, a powerful floating system of pontoons was placed. Pumps pumped water out of them, and the raised floating system took the block onto itself. Two sea tugs carefully moved it away from the shore. They were assisted by winches installed onshore and on the piers of the future bridge. According to Punin, the "bird" was not so much transported as it was pulled towards the piers, since "the tugboat screws were mainly fighting the Neva's current, keeping the floating system in the right position." There was no rush, so the "bird" reached the installation site only on the second day, although it had to cover only about 500 meters. Then water was pumped into the pontoons, and the "bird" moved from the submerged floating system onto the pier. This happened on July 14. The entire operation to transport and install the block, which required precision akin to jewelry-making, took nearly 50 hours. The second "bird" was managed in 36 hours, and the fourth, the last, in 18.

As already mentioned, the main beams of the bridge have a variable height: near the piers, it increases (up to eight meters), and in the middle of the span, it decreases (to three meters). The curvilinear outlines of the lower belt make the silhouette of the bridge more graceful and lightweight.

The intermediate piers of the bridge, located closer to the shores (between the long spans), are not as massive as the piers of the movable span. These piers are rigidly connected to the main beams resting on them. By the way, all the river (channel) piers of the bridge consist of two separate half-piers – one under each three-span beam. The foundations of the river piers are large-diameter (from two to three meters) reinforced concrete shell piles, driven into the riverbed to a depth of nearly 35 meters.

Together with the bridge, granite-clad embankments (more precisely, sections of embankments) were built on both banks of the Neva. Staircases were constructed on four sides of the bridge. Interestingly, the ramps have spaces allocated for public toilets, although initially, they were not used as intended. The staircases and lower-level spaces were used to house the Bridge Operational Services, which were based there.

The roadway on the Alexander Nevsky Bridge was paved with asphalt. The pavement of the sidewalks, at least originally, was made of granite slabs. The approaches to the bridge were lit by artistic lanterns, designed by architect Vladimir Stepanovich Vasilkovsky (these lanterns can also be seen near the former Warsaw Station). The road on the bridge was illuminated by lamps installed on lighting masts placed in the central strip. These masts replaced the high (ten meters) pylons with lanterns on the upper platform, designed by architect Alexander Konstantinovich Poryadin and originally included in the project. They were equipped with parapet lamps (for lighting the sidewalks), special directional searchlights (for ships navigating under the bridge), and a traffic light (to control ship movement). The platform at the top of the pylons also served as an observation deck. However, according to Punin, the decision to abandon them was made before the pylons were installed.

Location

How to find Alexander Nevsky Bridge?

between Alexander Nevsky Square and Zanevsky Prospekt.
St. Petersburg, between Alexander Nevsky Square and Zanevsky Prospekt. Walk from Ploschad Aleksandra Nevsky and Novocherkasskaya metro stations.
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